Avant Garde Neo Classical Jazz

The 1st version of this quartet formed very gradually in the fall of 1974 with brother Roger Miller
on pump organ, then piano by early 1975. This original version was more classical leaning,

Their music met with rave reviews much to their grateful astonishment.

~ The 1st Incarnation of the group ~

THE FOURTH WORLD QUARTET

"1975"

Released on Cuneiform Records June 2021

THE FOURTH WORLD QUARTET
"Grand Bland Vapid Rapids"
[ Released September 2022 ]

https://cuneiformrecords.bandcamp.com/album/grand-bland-vapid-rapids

The Fourth World Quartet formed in February 1975 at Thomas Jefferson College. Roger Miller, the original pianist, left the group in April. By the end of that month, Denman Maroney, who taught composition for the remaining member's – Benjamin and Laurence Miller and Jack Waterstone – suggested joining the band as their new pianist. The members were thrilled.

Denman was an undergraduate student from 1967-71 at Williams College. There he spent time at Bennington, where Bill Dixon and Jimmy Garrison filled his head with Coltrane, Ayler, Coleman, Taylor, etc. From 1972-74, Denman attended Cal. Arts, where Jim Tenney, Mort Subotnick, Lucky Mosco, and Ingram Marshall filled his head with Ives, Joplin, Messiaen, Ligeti, Stockhausen, Varèse, etc.

Thanks to CalArts teacher John Bergamo, Denman got a job teaching at Thomas Jefferson College. There, Denman and choreographer Beverly Brown taught a course called Sound & Movement where this new Fourth World Quartet was collaborating for the class. Both band and dance students worked together, forging ahead with free improvisation on a regular basis. The Fourth World Quartet performed at a TJC Music Performance and a house party in Ann Arbor in April, and again at Grand Valley State College Graduation Picnic in June 1975.

At the end of the school year, Denman was offered the same teaching position at Thomas Jefferson College with less pay and thus he left for NYC. Laurence, Benjamin and Jack continued composing and trying material out with other ensembles that never quite took shape until early 1976 when their efforts dissolved.

Previous aspects of the earlier version of the band (see Cuneiform's “1975”), which included psychedelic guitar, changed when the newly reformed quartet focused further on 20th Century techniques along with Denman's exploration in using advanced polyrhythms.